The history of Leeds: What every geek should know

February 20, 2009

It was a privilege to present at this week’s GeekUp Leeds on a topic close to my heart, the amazing industrial heritage of Leeds and why it should be an inspiration to those working in the technology sectors today.

Thanks to Deb and Rob for organising another great event, and to the GeekUp participants for putting up with me.

A few people asked for more info so I’ve put together some pages with my slides, notes and lots of links.

The history of Leeds: What every geek should know – part 1 starts here


Help, our industrial heritage is falling down!

December 11, 2008

Temple Works is a one-off. Its construction as a flax mill in 1840 must have made a powerful statement about Leeds’ status as global pioneer of industry. At the time it was said to be the “largest single room in the world,” with innovative air conditioning under the floor and sheep grazing on a grass-covered roof above.

In the 1950s Yorkshire’s textile manufacture began to shrink, but the mill found a new use as the northern warehouse for mail order company Kays, a kind of Amazon.com of Britain’s post-war consumer culture.

Just imagine what this building has seen over half a dozen generations: the rhythms of working life for thousands of people, materials brought in and out, linking with the world’s most exotic and mundane places. I reckon Temple Works should qualify for preservation on the strength of this rich social history alone.

But in reality this sprawling single storey stone shed in an unprepossessing edge-of-city-centre location must owe its Grade I listed status to the fact that it’s the spitting image of the Temple of Horus at Edfu, Egypt. Those 19th Century industrialists knew how to make an impact! I work in a nearby building, another former mill converted to offices, and am both inspired and humbled by the scale of our predecessors’ ambitions.

Sadly the 21st Century has not been kind to Temple Works. Vacant since 2004, the building is subject to plans to convert it to a “cultural and retail facility“, but in the mean time its condition is becoming more perilous.

This week, thankfully in the early hours when the street outside was deserted, one of the works’ massive stone pillars crumbled, bringing down a section of the roof. Marshall Street, the road on which it stands, has been closed in case of further collapse. This picture shows the damage…

Temple Works damage

It is particularly cruel that Temple Works was allowed to decline at a time when Leeds was going through another building boom, with new offices, hotels and flats being thrown up at a startling pace. Yet the wake-up call of the column collapse comes just when that boom is crashing to a halt.

It’s too early to say what caused the collapse or what happens next to Temple Works. (The Yorkshire Evening Post story is here.)  But I really hope it can be the stimulus to a happier chapter in the life of a remarkable piece of our industrial heritage.

Sort it out, Leeds, or else – the Falcon God is watching.


Your coat of arms goes here

November 11, 2008

“I have got the Drawing for Your Arms in the Pediment done to a quarter of the size, shall order it to be such next week” – Robert Adam in letter to Sir Rowland Winn, owner of Nostell Priory, 1774

Now that’s what I call unfinished.


The Waist-high Shelf

April 16, 2008

A few years ago when we extended our house to create a new entrance hall we greatly enjoyed flicking through the relevant pages in Christopher Alexander’s “A Pattern Language: Towns, Buildings, Construction”. So much of it rang true with those “oh yeah” moments as we looked with fresh eyes at the way we used our home. The book is also just a joy to read. I challenge anyone to read the Entrance Room pattern without smiling and nodding.

Some of the elements, such as the size of the hall, the need to create a defined threshold and reorienting the front door to improve the Intimacy Gradient, were baked into the building itself. Others were to be added by us after the builders had gone, and among this latter sort was the famous Waist-high Shelf pattern, often cited as an example of how Alexander’s system works.

We never got around to putting in that waist-high shelf, but the other day I noticed that a strange thing had happened. We’d taken a delivery of some flat-pack furniture. We were busy, so instead of getting assembled it just got dumped inside the front door. And at once it attracted papers, hats, a school sweatshirt – everything the waist-high shelf was meant to absorb.

So here’s the warning: Find room in your home for the waist-high shelf, or the waist-high shelf will find you, whether you like it or not.


O₂MG, what have they done to the Dome?

February 10, 2008

Love it or loathe it, Richard Rogers’ Dome was the architectural icon of of Britain’s new millennium. The hubristic creation of Michael Heseltine and Peter Mandelson, it was meant to symbolise our country’s post-Thatcher renaissance, all Britpop and Cool Britannia. It didn’t work out quite like that.

Along with millions of other Britons, we didn’t make it to the Dome in its inaugural year. We were too busy with our new arrival, our own Millennium baby. He just turned eight and for his birthday treat we took him and his friends to see the Tutankhamum exhibition at the Dome now renamed The O2.

Disclosure: I work for a competitor to O2, but my problem is not with their sponsorship. O2’s own branded interventions – a nightclub, ice rink and inflatable chill-out zones – have their own integrity and fit with the aesthetic of the Dome itself. The naming rights have been seen through with Orwellian ruthlessness: no mention of Millennia, or even of Domes, it’s The O2, plain and simple.

Yet our impression as we walked along the narrow shopping mall that skirts the perimeter of The O2 was a distinctly underwhelming “is this it?”

100_3291

100_3314

From the outside the space is huge, but the way the new arena, cinema, exhibition space and leisure facilities have been fitted in manages to totally obscure this once inside. Worse, the partitions that carve up the space are treated as clumsily cut out faux art deco stage setting with no acknowledgement of the structure itself.

Suburban shopping mall, airport terminal, Las Vegas casino, Dubai resort – this could be anywhere. Only it’s not just anywhere. It’s one of our landmarks, a tarnished one but a landmark all the same. Had the hype curve for the Dome dipped so low that we’d settle for this? Britain Deserves Better.


Caveat emptor

April 17, 2007

A football agent being interviewed about the negative impact of his profession on the game was asked, shouldn’t negotiating be left to the players’ union, the PFA? Well, he replied, the PFA are nice people, but they’re mostly former players, not businesspeople. If I was buying a house, I wouldn’t trust a bricklayer to do the conveyancing.

Neither would I trust and estate agent to do the wiring.

A friend of a friend bought a house which had been modernised as a speculative investment by an estate agent. All the rooms were generously supplied with power sockets, but after moving in she found that only about half of these seemed to work. When she called in an electrician to check the wiring, the truth was revealed: there was no wiring. The sockets were stuck on for show but not powered up for use.

The moral of this story? In every domain there are sellers and there are doers. Whether you’re buying a house, signing a new player or launching a high-tech product, make sure you know which of those you’re dealing with.


On User-Centred Design and the Wrong Kind of Penguin

February 3, 2007

Lubetkin's Penguin pool: no more penguins - fidothe's photos on Flickr

A delightful letter to today’s Guardian contradicts the fashionable received wisdom of modernist architects as purists riding roughshod over the interests of users. Defending Berthold Lubetkin’s 1934 Penguin Pool at London Zoo, his daughter Sacha writes:

I was astonished to read that “nobody thought to ask the penguins” about the design. My father steeped himself in literature about penguins; he consulted the specialists at the zoo itself, as well as Julian Huxley, Solly Zuckerman and other authorities.

… which, in the circumstances and barring the sudden appearance of a tap-dancing prodigy, seems about as good as he could have got in terms of user involvement. The letter goes on…

Now, alas, there are no penguins in the pool, because the zoo put burrowing penguins in the enclosure – and found, unsurprisingly, that they were unhappy there.

So that’s the answer: the design was great, it was just the wrong kind of user!


Help me, Usability Man!

November 14, 2006

other door
Is this door with the sign that says other door the other door or is the other door that doesn’t say other door the other door?

Originally uploaded by mattedgar.


The first Great Western

July 14, 2006

From Simon Thurley’s fascinating Buildings That Shaped Britain we learn that Isambard Kingdom Brunel had only once travelled on a train when he designed the gloriously non-standard Great Western Railway from London Paddington to Bristol.

Now that, for good or ill, is the difference between innovation and design.