History is the handrail

December 18, 2011

History is the handrail for which we reach when knocked off balance by the present day.

Therefore it seems apt that at the Museum of London a “timeline handrail”  runs from 1688 to 2012, around the new Galleries of Modern London.

At first sight this is a cute way to lay out the span of years through the expanse of the gallery, surrounded by some excellent exhibits that bring past generations of the capital’s people back to life.

But the handrail left me feeling queasy, unsteady on my feet, because here London’s past is for sale.

I don’t mind the principle of sponsorship so much as the way it is done. Critically, for £5000 corporations and wealthy individuals can not only affix their names to a year, but also dictate the very events with which that date should be associated.

It’s a strange price, £5000 – beyond the reach of mass participation by ordinary Londoners, yet chickenfeed for the City’s many firms and institutions. And, the website boasts, it counts as gift aid so…

if you are a 50% higher rate taxpayer, your donation could cost you even less at £2,500.

In other words, the rich may occupy a year of London’s narrative for half the sum that their history-loving cleaners or chauffeurs would have to scrimp and save.

Regular followers of my ramblings will know that I have a special thing for the year 1794. I wondered which of the various happenings of that eventful year might have made it onto the timeline.

From the latter…

London

I wander through each chartered street,
Near where the chartered Thames does flow,
A mark in every face I meet,
Marks of weakness, marks of woe. (1-4)

You’ll see where this is leading.

Now I know nothing of Norton Rose LLP and their business. Well done them, I say, for 217 years of lawyering in London.

Yet this entry inadvertently speaks volumes  – more even than those lines of William Blake – about the nature of power in the City of London. The structure of this sponsorship scheme guarantees a history written by the victors. It underwrites the narratives of the already powerful.

When you place your hand on a rail it does more than offer support; it also guides your direction of travel. Where do you want it to lead you?


Blakewalking back to 1794

February 11, 2011

Tim Wright’s ‘Harrison Fraud’, the tale of a practical joke gone too far, was a highlight for me of last year’s The Story. Now he has worked with another favourite project of mine, Bookleteer, to make ‘The Second Book of Urizen‘, a walk around London in the footsteps of William Blake.

It’s a booklet, not a book, and it leads the walker on a perambulation around Lambeth, accompanied, through QR codes, by Audioboo clips of Blake’s work read aloud there.

Why blog this?

First because I find this stuff fascinating. I believe a story is extra powerful in the place where it actually happened. This sense of story literally beneath our feet motivates a lot of the stuff I do with history in Leeds.

Secondly because the year of this Blakewalk is 1794, one significant for many other reasons that I tried to capture in my own fragmentary ’1794: a Small Story‘. I used Blake’s ‘Europe, A Prophecy’ to set the scene for the terrible events that befell some of my real-life characters.

Now thanks to Tim I can fill in some gaps in my knowledge, and discover the works Joseph Haydn composed while staying in London that same year.

Tim describes ‘The Second Book of Urizen’ as a work in progress. I can’t wait to see where William Blake takes him next.


King Chaunticlere; or, the Fate of Tyranny

January 17, 2011

An Anecdote, related by Citizen Thelwall, at the Capel Court Society, during the discussion of a question, relative to the comparative Influence of the Love of Life, of Liberty, and of the Fair Sex, on the Actions of Mankind.

You must know then, that I used, together with a variety of youthful attachments, to be very fond of birds and poultry; and among other things of this kind, I had a very fine majestic kind of animal, a game cock : a haughty, sanguinary tyrant, nursed in blood and slaughter from his infancy — fond of foreign wars and domestic rebellions, into which he would sometimes drive his subjects, by his oppresive obstinacy, in hopes that he might increase his power and glory by their suppression. Now this haughty old tyrant would never let my farmyard be quiet; for, not content with devouring by far the greater part of the grain that was scattered for the morning and evening repast, and snatching at every little treasure that the toil of more industrious birds might happen to scratch out of the bowels of the earth, the restless despot must be always picking and cuffing at the poor doves and pullets, and little defenceless chickens, so that they could never eat the scanty remnant, which his inordinate taxation left them, in peace and quietness. Now, though there were some aristocratic prejudices hanging about me, from my education, so that I could not help looking with considerable reverence, upon the majestic decorations of the person of king Chaunticlere — such as his ermine spotted breast, the fine gold trappings about his neck and shoulders, the flowing role of plumage tucked up at his rump, and, above all, that fine ornamented thing upon his head there — (his crown, or coxcomb, I believe you call it — however the distinction is not very important) yet I had even, at that time, some lurking principles of aversion to barefaced despotism struggling at my heart, which would sometimes whisper to me, that the best thing one could do, either for cock and hens, or men and women, was to rid the world of tyrants, whose shrill martial clarions (the provocatives to fame and murder) disturbed the repose and destroyed the happiness of their respective communities. So I believe, if guillotines had been in fashion, I should have certainly guillotined him: being desirous to be merciful, even in the stroke of death, and knowing, that the instant the brain is separated from the heart, (which, with this instrument, is done in a moment,) pain and consciousness are at end — while the lingering torture of the rope may procrastinate the pang for half an hour. However, I managed the buisness very well; for I caught Mr. Tyrant by the head, and dragging him immediately to the block, with a heavy knife in my hand, separated his neck at a blow : and what will surprise you very much, when his fine trappings were stripped off, I found he was no better than a common tame scratch-dunghill pullet: no, nor half so good, for he was tough, and oily, and rank with the pollutions of his luxurious vices.

From Politics for the people; or, A salmagundy for swine, number 8, 1793, published by Daniel Isaac Eaton.

For telling this farmyard story, both Eaton and Thelwall (who had rooms on the Strand, near today’s Trafalgar Square) were tried for sedition.


Aramis, or the Love of Pedalling

November 18, 2010

Interesting North presentations by James Boardwell and Toby Barnes plus an all-too-short chat with Tom Armitage in the pub after the event prompted me to rescue this post from my blog’s permanently-in-draft folder. I’m not sure it’s finished yet, but make of it what you will.

Originally it was going to be a sober and constructive service design account of my experiences on London’s cycle hire scheme: a tale of how my most regular London trip takes precisely 30 minutes and 19 seconds thus costing me an extra pound; of how the supply of bikes to major train stations at rush hour could make or break the scheme; and of how the chosen shade of blue now evokes a Pavlovian pedalling response.

But then I fell into reading the story of a different mode of urban transport, every paleo-futurist’s dream machine, the Personal Rapid Transit system. Specifically, on the recommendation of a colleague (thanks to that person, you know which Matt you are :) I got a copy of Bruno Latour’s 1993 work, ‘Aramis, or the Love of Technology,’ which traces the ill-fated 18-year journey of a guided transport project.

It’s a gem of a book, part documentary, part ethnographic meditation, part fictionalised romance of technology, a post-modern retelling of Mary Shelley’s Frankenstein where we cannot tell if the monster is the creation or its creator.

“It’s typically French. You have a system that’s supposedly brilliant, but nobody wants it. It’s a white elephant. You go on and on indefinitely. The scientists have a high old time…”

Aramis was a prototype at Orly Airport in the early 1970s and a network planned for southern Paris in the 1980s. It was made up of moving pods, each carrying a few passengers, which could link up electronically to form ad hoc trains along busy routes then disband as they headed for their various destinations. The idea was that you’d hop on, take a seat, select your destination, and be whisked straight from A to B without having to change at C, or even wait a few minutes at D, E and F while other passengers boarded or disembarked.

In addition to the application of a revolutionary new motor, Aramis relied on “non-material coupling” by which its cars would travel packed together as if in a train, yet contactless…

“Aramis, the heart of Aramis, is nonmaterial coupling. That’s the whole key. The cars don’t touch each other physically. Their connection is simply calculated.”

I half-remember seeing Aramis on Tomorrow’s World. It was definitely the transport of the future, or at least of a future, the one depicted in books with titles like ‘The City of the Future’.

Ultimately the technology proved too complex and the political will too weak: the project was canned in 1987, having swallowed up half a billion francs of research and development costs and half the careers of some fine engineers along the way. All that we’re left with is an object-lesson in institutional inertia, a warning of how big businesses and governments can waste a fortune when they become too fixated on the technlogical solution at the expense of the user need.

But it struck me that in a funny way the French did get their Aramis. Because before London got its blue bikes Paris deployed Vélib’, a network of cycles for hire from docking stations dotted around the city.

And looking at the requirements (not the solution) that Latour discerned for Aramis, Vélib’ matches pretty well:

Requirement Aramis Vélib’
no transfers On board software determines the most efficient direct route Rider gets on bike at start of journey and gets off when they get where they’re going
no intermediate stops Cars peel off from train to drop passengers at station, so other pods can continue uninterrupted Rider stops only to buy a litre of milk or something. Other riders are not affected
passengers control the destination By pressing a button at the stop or in the car By steering with the handlebars
passengers don’t have to think They trust the car’s navigation computer to take them where they’re going They achieve a dream-like state of flow while following a well-marked cycle route

Watch the bike lanes of Paris or London in the rush hour, especially on a strike day. Cyclists link up subconsciously to form ad hoc trains along busy routes then disband as they head for their various destinations. The bikes don’t touch each other physically. Their connection is simply calculated. Yes, I have seen the future, and what it lacks in non-material couplings and variable-reluctance motors, it makes up for with a basket and a bell.

We don’t notice these things though. As James Boardwell so smartly put it in his Interesting North talk, we’re unable to picture something as simple as a bike playing a role in a radical vision of the future.

In this respect the pushbike is like Frank Chimero’s tiny horse in the Apple Store (as referenced by Toby): we’re too busy looking at the new shiny to even register the glaringly wonderful.

What really fascinates me about the cycle hire schemes, however, is the way they turn the bike into just a small part of a bigger system. To the hardware of gears and chains and brakes are added official and unnofficial services that multiply the bikes’ utility.

  • The access control systems and kiosks at each docking point…

  • The mobile apps that help users find a bike to use and a place to leave it…

  • The route planners that tell them the best way from A to B (without a care for C, D, E or F)
  • The GPS apps that records data trails for future reference.

These things may not be as obvious as Trondheim’s spectacular escalator (and I’d vote for one of these up Chapeltown Road) but they are real nonetheless.

Aramis’ body may have long since been scrapped, but its spirit lives on in the emerging software of the city.


As It Is To-Day

March 15, 2010

The past is a foreign country: they do things differently there. And so I’m loving the safari around the world’s largest city and capital of the British Empire, afforded by Chris Heathcote’s inventive Newspaper Club debut As It Is To-Day.

Chris has been feeding Newspaper Club’s editing software Arthr on a diet of old London press cuttings from the 18th Century to the 20th. The result is a delightful gallimaufry (my all time top new word of the week): here the city is described at the height of its pre-eminence in 1851, there is a reflection on the sad fate of Cleopatra’s Needle by the 1920s.

My own favourite dish gives a taste of the hazards of the 1790s “On Walking London Streets,” a 14-point list of instructions for avoiding pick-pockets, horse-drawn traffic and falling slops. I love the idea that the characters of my 1794 stories were moving through a million-person city for the first time. Was this their missing manual?

Also, an umbrella was considered “a machine”. So too, in the right hands, is a newspaper. You can buy it here.


We don’t want to change the world, we’re just waiting for a plate of chips

December 1, 2009

I held off writing up the Ignite London talks until now because I wanted to link to some of the great videos of the event now live on Vimeo.

It must always be a tough challenge to get the balance right, all the more so for our capital’s inaugural Ignite. I reckon the programme was spot on: the right mix of the challenging ideas and characteristic irreverence. None of TED’s West Coast cultishness here, just short talks fuelled by beer and chips.

Ignite London - Chips - by oreillygmt

If you have a few five minuteses to spare, you could do worse than watch these, my favourites…

… and finally my own meandering around 1794 – So Much To Answer For, of which more here and here.

Thanks to AmyDan, Andy, Richard and all the sponsors for making it happen.


Give me five minutes and I’ll give you a year – Ignite London, 18 November

November 5, 2009

Wow, I’m privileged to have been invited to appear alongside some amazing speakers at London’s first Ignite event on the evening of November 18.

If you were at the first ever British Ignite in Leeds in January, or any of the others around the world, you’ll know the deal:  20 slides advancing automatically every 15 seconds for five minutes – multiplied by dozens of speakers talking about technology, science, the arts and everything in-between.

The full London line-up includes:

  • Ben Hammersley, The Sex Lives of the Great Renaissance Masters: How the Old Masters and their Mistresses Changed Art
  • Craig Smith, The Upsides and Downsides of Standards (web, language and otherwise)
  • Katy Lindemann, What We Can All Learn from Children
  • John V Willshire, If Advertising is a Firework, Social Media is a Bonfire
  • Ashley Benigo, Italy as a Country Not Found

… and many others.

My own talk is “1794 – so much to answer for” wherein I shall tell the stories of as many of my personal 18th Century heroes as possible, based on the strange coincidence that all of them encountered life-changing (some life-ending) events in that single world-changing year.

Europe a Prophecy - William Blake, 1794

Eagle-eyed readers of this blog may recall that I scribbled a map of this name some time ago. I’ve taken it off the blog for now. You can probably still find it somewhere in Google’s cache, but No Spoilers!

[Also, I don't normally post directly about my dayjob on this, my personal, blog but am making an exception to mention that I'll be on a panel at Informa's Mobile User Experience conference, also in London on November 17 and 18 before I go over to Hammersmith for Ignite. If mobile user experience is your thing, this also has some very interesting speakers.]


One & Other in a roundabout way

September 22, 2009

This is a photo of the screen of a computer, displaying a webcam that’s trained on a plinth. Not just any plinth, The Plinth.

On the webcam is a whiteboard that carries a message, a message that’s saying hello to my sons. They were very impressed.

Lorinda (who I’ve never met) wrote the message. Lorinda wrote messages she got on her phone, via a service called Thumbprint. Thumbprint is a dead simple way to say stuff about places and topics by text.

I texted the Plinth after seeing a tweet from Andrew at Blink who made Thumbprint with my friends at Common.

It was all over in a few totally unexpected minutes of a Saturday afternoon, so let’s play that again, in slow motion…

  • Tweet…
  • Text…
  • Thumbprint…
  • Text…
  • Plinth…
  • Pen…
  • Whiteboard…
  • Webcam…
  • Amazement.

Well done to all involved.

889QMSXPFVZ6


O₂MG, what have they done to the Dome?

February 10, 2008

Love it or loathe it, Richard Rogers’ Dome was the architectural icon of of Britain’s new millennium. The hubristic creation of Michael Heseltine and Peter Mandelson, it was meant to symbolise our country’s post-Thatcher renaissance, all Britpop and Cool Britannia. It didn’t work out quite like that.

Along with millions of other Britons, we didn’t make it to the Dome in its inaugural year. We were too busy with our new arrival, our own Millennium baby. He just turned eight and for his birthday treat we took him and his friends to see the Tutankhamum exhibition at the Dome now renamed The O2.

Disclosure: I work for a competitor to O2, but my problem is not with their sponsorship. O2′s own branded interventions – a nightclub, ice rink and inflatable chill-out zones – have their own integrity and fit with the aesthetic of the Dome itself. The naming rights have been seen through with Orwellian ruthlessness: no mention of Millennia, or even of Domes, it’s The O2, plain and simple.

Yet our impression as we walked along the narrow shopping mall that skirts the perimeter of The O2 was a distinctly underwhelming “is this it?”

100_3291

100_3314

From the outside the space is huge, but the way the new arena, cinema, exhibition space and leisure facilities have been fitted in manages to totally obscure this once inside. Worse, the partitions that carve up the space are treated as clumsily cut out faux art deco stage setting with no acknowledgement of the structure itself.

Suburban shopping mall, airport terminal, Las Vegas casino, Dubai resort – this could be anywhere. Only it’s not just anywhere. It’s one of our landmarks, a tarnished one but a landmark all the same. Had the hype curve for the Dome dipped so low that we’d settle for this? Britain Deserves Better.


UR SCULPTURZ Я IN OUR PARK AMUZIN OUR KIDZ

December 17, 2007

Today’s Manchester Guardian gives an unchallenged outing to metropolitan whinger Germaine Greer on the subject of the Yorkshire Sculpture Park, near the heart of our 15-million-strong Supercity.

Complaining, apparently erroneously, about the amount of the nation’s collection of sculpture kept outside London, she sneers:

If you can manage to get yourself to West Bretton near Wakefield, you may see some of them dotted round the 500 acres of the Yorkshire Sculpture Park; others may be displayed in four indoor galleries. The park is seven miles from the nearest railway station and a taxi will cost you a tenner, which Londoners have to add on to the £112.50 – the least the day return will cost a single adult.

So Londoners, take note:

  • This is only the price that we have to pay to visit the vast majority of the national collections that are housed in, er, London. The train runs both ways, you know.
  • You don’t have to take a taxi. We have buses. And the driver may even respond to a cheery wave. Try that on the Tube and you’ll be arrested.
  • Thanks to the YSP, my seven-year-old can bore for Yorkshire on the life and works of Andy Goldsworthy.
  • It’s not just the sculptures. We’ve got your weapons too, and we’re not giving them back.

Pattern: Bundle of identity

November 6, 2006

The Enlightenment philosopher David Hume proposed that identity is nothing but the bundle of our past experiences.

Don’t test me on this, because I just read it on Wikipedia, but it seems like a good place to start this piece of introspection on the need for a unified identity.

It goes like this.

Context: I work in two offices with different contactless card entry systems. I also have an Oyster card for travel in London. Several times I found myself absent-mindedly trying to get into the office by touching in with my Oyster card. (It doesn’t work.) Then I tried swiping my door card to get onto the Tube. (That doesn’t work either, but it annoys the person behind you in the queue.)

Problem: How to gain access to multiple offices and transport networks without thinking, thus freeing up vital seconds for scanning free newspaper headlines, checking answerphone messages and generally daydreaming.

Solution: I observed that many people now put all their entry cards, along with other stuff like tickets and house keys, into the handy plastic wallet that comes with an Oyster card.

I tried this DIY aggregation of authentication and payment: it works. Now the world’s my marine molusc (subject to the access restrictions imposed by Transport For London, my employer, and other competent authorities.)

At least it will be until I lose the whole lot of it in one go.


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